Being Completely Honest

I’ve been trying to name it since our call ended this morning. 

Ten minutes after we said our goodbyes in the Ripple Room,  the gardener arrived with his leaf blower, and I sat in my studio in the blur of it, trying to hold onto what I’d just been carrying. 

 The quiet of a full heart.

I host these rooms. I chose not to record them because the absence of a recording is part of what makes honesty possible. When you know something won’t be replayed, won’t be screenshotted, won’t exist anywhere outside the people in it, something loosens. 

You say the thing you’ve been carrying. You say it out loud to another person, which is entirely different from saying it to yourself, which is entirely different from not saying it at all.

Today someone said they were choosing love over belonging. They said it simply, without drama, the way you say something you’ve made peace with even though it cost you.

Someone else said they were struggling to hold all of it — the unresolved things, the things that had fallen away, the darkness they keep returning to. They didn’t have a process for finding their way back. They said that too, without apology.

I said I ended a friendship that had felt like safety but was actually shared stuckness. That the hardest part was realizing I had been lonely inside it the whole time. And that the space it left behind is slowly being filled by becoming a little more whole myself.

I don’t say things like that lightly. I don’t say them often. 

But I said it today because the room makes that possible. Not because we’ve known each other for years — some of us have, some haven’t. But because we’ve agreed, implicitly, that this hour is for the real thing.


I’ve also been thinking about what it means to paint over something that no longer belongs to you.

I did that this week and it’s hanging up proudly in our foyer. 

I’ve been thinking about all the ways we do this. The relationships we paint over. The identities. The obligations we inherited. The version of ourselves we were told we were.

You can paint over things that don’t feel meaningful to you anymore. That’s allowed. It doesn’t erase what was there—the canvas still has its history—but it becomes something that belongs to you now.

I think that’s what honesty does, too. Not erase. But reclaim.


What was said lives only in the four of us who were there, and in whatever each of us will be turning over tonight.

I’m turning over the feeling that comes with being completely honest with someone other than yourself. The weight of it. The way it makes the ordinary world — the gardener, the inbox, the school pickup — feel briefly strange, like you’ve just come back from somewhere and your eyes haven’t adjusted yet.

I think that strangeness is actually a good sign. It means something real happened.

માનસી

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The World Didn’t Stop

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Painting over Memories